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We’ve updated our Terms of Use. You can review the changes here.

Dead Flowers & Cat Piss

by Callaz

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  • Compact Disc (CD) + Digital Album

    Artwork by Guilherme Valente

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1.
Vali Myers, António Variações, Brigitte Fontaine, Vi Subversa, Isadora Duncan, Quentin Crisp, Penny Arcade, Lee Miller, Harry Partch, Florbela Espanca, Paula Rego, Lou Andreas-Salomé, Moondog, Elspeth Beard, Anaïs Nin, Mary Landon Baker.
2.
Tourbillon de la decadence Faire face! Bien loin d’ici je sens Toutes les passion Days were flowing She was a bit oppressed Then a bit depressed Eu nunca me vou dar bem com qualquer situação Fintar a solidão I woke up tired and traumatised So exhausted I can’t sleep An enigma Chaotic state Spellbound Eram 4 da tarde de ontem Invulgar nas ruas de Lisboa Eu nunca me vou dar bem com qualquer situação Fintar a solidão Harmonie du soir Laisse tomber! C’est la fin de la journée Days were flowing She was a bit oppressed Then a bit depressed Eu nunca me vou dar bem com qualquer situação Fintar a solidão I was falling in love on a nightly basis Was falling in love on a nightly basis
3.
The top deck of the last late night bus You made me feel out of my mind I walked New York City listening to Nico wishing you were there You were the end of me The beginning of it all A wonderful, flamboyant downfall On a speed run I still rejoice In London life Audacity A massive party We met exactly 6 years ago in Central London You watched me as I watched the band We met outside Oh I’ve never seen anyone quite like you before I fainted I collapsed Sleepless, we walked the streets of London You never had any cash I called in sick all the time You were the end of me The beginning of it all A wonderful, flamboyant downfall Addicted to chemicals and emotions I have no feelings for you now but those I did were real You were the end of me The beginning of it all A wonderful, flamboyant downfall
4.
Berlin 01:09
Early Sunday morning In the middle of Berlin Rain love mist Subway heroin fix Finally finally get rid of yourself Finally finally get rid of yourself
5.
Aghast 06:08
I pick myself up / I dust myself off / I start all over again Ghastly aghast Conflict Pure decline Sex and sin Pearls in wine Ghastly aghast Crying on the inside Laughing on the outside  Ghastly aghast Laughing on the outside  Crying on the inside Ghastly aghast Conflict Pure decline Sex and sin Pearls in wine Ghastly aghast I pick myself up / I dust myself off / I start all over again
6.
Les événements m’ennuient Pas de sexe cette nuit
7.
Até na solidão eu estava a representar Helena, filha de Zeus, drogadíssima Estou exausta de melancolia Quero ir para a rua celebrar a vida Exausta de melancolia Ir para a rua celebrar a vida Estou exausta Colapso, implosão, fragmentação Eu errava pelas ruas das grandes cidades Arder, desvanecer Não se perde por não entender Estou exausta de melancolia Quero ir para a rua celebrar a vida Exausta de melancolia ir para a rua celebrar a vida Estou exausta C’est la galère A mess A nightmare
8.
O que me mata é o quotidiano Eu queria só excepçōes E o que me mata é o quotidiano Eu queria só excepçōes
9.
Repetição 03:07
E o acaso repete-se e eu não aprendo nunca a aprender O acaso repete-se e eu não aprendo nunca a aprender É preciso criar desassossego A provocação dá vida às coisas População noturna em plena noite Não sei se te quero ou inventei querer Não consigo resolver a desordem Não consigo resolver a desordem
10.

about

loucura com horas marcadas.

credits

released February 19, 2021

Produced by Helena Fagundes
Written and performed by Callaz

Special THANKS
Guilherme Valente, Rodrigo Vaiapraia, Adriano Cintra, Ana Miró, Luís D'Alva Teixeira, Quentin Jost, Marta Costa, Inês Zinho Pinheiro.

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Callaz Antwerp, Belgium

Callaz is the artistic moniker of Maria Soromenho. Being a self-taught artist, she gives her own language the background noise of her autonomy. She has taken the stage in as many cities as the ones that are part of her affective geography and the history of each of her works. Her live acts feature incisive refrains in the dancing darkness she has got us used to. ... more

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